Martin Küchen

Homo Sacer

limited to 250 copies

 

SILLON 4

format | cd

 

OUT OF STOCK - please write us to know when it will be back in stock

 

Portugal                    13.00€

Spain                        14.00€

European Union          14.00€

Rest of the World        15.00€

Martin Küchen

Homo Sacer

limited to 250 copies

 

Martin Küchen  alto and baritone saxophones, pocket radio

 

SILLÓN is very proud to finally release the long awaited solo from Sweden's saxophonist ”extraordinaire”, Martin Küchen. His music is at it’s very best on ”Homo Sacer”, and it is a joy listening to his original research in the world of saxophone. He is without a doubt the most interesting, improvising reedplayer coming out of Scandinavia today. Check out this fabulous disc !

Liner notes

Homo Sacer (latin for «the sacred man») is an obscure figure of Roman law: a person who is banned, may be killed by anybody, but may not be sacrificed in a religous ritual. The person is excluded from all civil rights, while his/her life is deemed «holy» in a negative sense. This according to Wikipedia.
According to Slovenian philosopher Slavoj Zizek, Homo Sacer could be described as «a creature legally dead while biologically still alive». Giorgio Agamben was the one first bringing this subject up in contemorary political philosophy; homo sacer resembles the states of political refugees, those persecuted in the Holocaust and the «enemy combatants» imprisoned in sites such as Guantanamo Bay, who are also similair to each other. As support for this, he mentions that the Jews were stripped of their citizenship before they were placed in concentration camps.

Except for the title and the track titles of this CD, obviously corresponding to today´s world of severe conflicts almost everywhere around the globe - the music of Homo Sacer is not at all intended to be programmatic, on the contrary. But you may hear the titles of each piece as something shadowing the sounds, like sublayers or like something overlaying; transformative tissues of abstractions criss-crossing the «concréte» sounds.
All the titles of this CD live a life of their own and so does the music.
If they collide or/and interplay, I really dont know. Simultaneously they may exclude and include both the listener and the performer | Martin Küchen