Limited to 140 copies

sounds, recordings & processing by kostis kilymis (2006-2007)

Field recordings, sine waves, feedback, discrete processing & re-recording construct a brief exploration through the mutation of audible phenomena. The material was originally created during the same period as that used in "thessaloniki 1963, a diary from b to c" [t01], though used here for different intents & purposes. A more affirmative answer to the question once eloquently mumbled by Jim Jarmusch: "why am I here?"