"The
ninth release on the label, nonostante II (2000), dispenses with
sustained notes, and is written instead for solo piano, played by Malfatti
himself. The familiar extended silences remain, surrounding tiny, carefully
defined groups of piano pitches. The very long silences that separate them
test the memory of even the most attentive listener, and it's far from easy to
relate one patch of piano sound to the next. Brown's unanswered questions come
to mind once more, but it's a text from Michael Pisaro that adorns
nonostante's sleeve, including the line "the music is really always there,
but like an iceberg, (or the English underground) it only comes to the surface
at discrete moments". There is definitely the sense of a longer work existing
here, large portions of which have been erased, not dissimilar to Futatsu,
Malfatti's celebrated duo with Taku Sugimoto (Improvised Music from Japan)." |
Richard Pinnell, Paris Transatlantic